来源头条作者:A十设计师联盟
设计 \\ Design：Studio Modijefsky
图片 \\ Photo：Maarten Willemstein
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接受到Otto’s Burger的委托，Studio Modijefsky要为其在科隆历史中心设计一个全新店面，设计团队汲取了建筑的历史作为新内饰的灵感。这家店以前是一个面包店，它有两个独特的特点，这两个特点影响了新的设计：空间的明确功能划分，以及瓷砖内部可见的时间痕迹。
Commissioned to design the latest edition to Otto’s Burger in the historic heart of Cologne, Studio Modijefsky has taken the history of the building as an inspiration for the new interior. Formerly a bakery, the shop was characterized by two distinctive features that influenced the new design: the clear functional division of the space, and the traces of time visible within the tiled interior.
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这家新开的汉堡店位于一个L形的地块上，被包裹在一个角落的建筑里。一边，原来的老面包房的区域变成了主要入口，位于Severinstrasse，这是一条连接城市南北的古老繁忙的街道；另一边，曾经用作面包店存储区的区域在一条安静的小街上开放。在两个空间相交的角落建筑的后面，现在有一个厨房，将餐厅的两侧连接起来。
Covering an L-shaped plot, this new burger restaurant is wrapped around a corner building. On one side, the area that was an old bakery shop became the main entrance, positioned on Severinstrasse, an old, busy street that connects the city from north to south; on the other, the area once used as a storage for the bakery, opens on a quiet side street. In the back of the corner building, where the two spaces meet, there is now a kitchen that connects both sides of the restaurant.
新的材料被引入到空间中，给人以质感与温暖，而来自前面包房和Otto品牌的灵感形成了家具件和特殊的元素，如灯具和标识。
New materials are introduced into the space, giving quality and warmth, while the inspiration from the former bakery and Otto’s identity forms furniture pieces and special elements such as light fixtures and signage.
装修之前，用来填充内部空间的瓷砖图案明确地显示了时间的流逝。不同大小和颜色的新旧瓷砖并排放置：白色和蓝色的棋盘格安排在较大的白色瓷砖通道旁边；破碎的L形蓝色融合成黑色。水磨石地板散落在建筑物内。色彩、形状和图案的多样性激发出了全新的材料样板。
Before the renovation, the tile pattern that used to fill the interior visibly showed the passing of time. Old and new tiles, with different sizes and colors laid side by side: a white and blue checkerboard standing next to a white lane of bigger tiles; broken L-shaped blue ones merging into black ones; terrazzo floor scattered within the building. The variety of colors, shapes and patterns inspired the new material palette.
立面中已经可以看到与过去的联系：入口处的蓝色瓷砖灵感源自旧的内部装饰，并在视觉上与Otto的徽标相连。字母由简单的形状和轮廓构成，将外部与内部连接起来，并通过相同的设计语言将空间统一在一起。
The link with the past is already visible within the façade: blue tiles inspired by the old interior embrace the entrance and visually connect with Otto’s logo. The lettering, built of simple shapes and profiles, connects the outside with the inside, where the space is unified by the same design language.
从大街上走进建筑物时，会呈现出分层而诱人的环境。木材在地板上奔跑，爬上酒吧和墙壁，给人一种温暖的感觉。在木材的上方，一组瓷砖，按照面包房使用的原始模式铺设，表达了对空间历史的敬意。墙上的斑点瓷砖和水平镜面板延伸到餐厅的中心，邀请游客走得更远。
When walking into the building from the main street, a layered and inviting environment unfolds. Wood runs on the floor and climbs up on the bar and walls, giving a sense of warmth. Above the wood, a set of tiles, laid in the original pattern used from the bakery, pays homage to the history of the space. Speckled tiles and horizontal mirror slabs on the wall extend towards the center of the restaurant, inviting the visitor to walk further.
前面包店老板重新铺设瓷砖的地方，现在是一片黄色了。这些元素，就像木材一样，继续在空间和视觉上延伸，直至黄色的混凝土柜台，给空间了一个强大的视觉焦点。轻巧的元素悬挂在天花板上，灵感源自奥托（Otto）的字母T，它还可以用作菜单显示和玻璃架。其钢和玻璃组件的灵感来自面包店的玻璃，为坐下享用饮品提供了完美的背景。
Halfway down the bar a sudden change in the floor is visible: exactly where the owners of the old bakery had re-tiled the floor there are now yellow tiles. These, just like the wood, continue on the bar and visually extend on the yellow concrete counter, giving the space a strong accent point. Hanging from the ceiling, and inspired by the letter T in Otto’s, is a light element which also functions as a menu display and glass rack. Its steel and glass components, inspired by the vitrine of the bakery, create the perfect background to sit and enjoy a drink.
Otto标识的非正式性遍布整个建筑：它是可见的，不仅通过字母的变换，还通过方形和圆形轮廓的并置。这个游戏在酒吧区很容易辨认，在那里，方形的轮廓灯创造了t的形状，这些灯悬挂在天花板的横梁上，悬挂在酒吧对面的高桌子上，创造了一个视觉上独立的用餐区，以及不同图案的墙壁。
The informality of Otto’s logo is spread around the building: it is visible, not only through the transformation of its letters, but also through the juxtaposition of square and round profiles. This game is clearly recognizable in the bar area, where, square profile lights create the shape of a T. These hang from the ceiling beams and are suspended above high tables opposite of the bar, creating a visually separate dining area along with the wall tiled with different patterns.
再往前走一点，酒吧就会开到原来是露天的地方。户外的记忆存在于木制家具的使用、墙壁的绿色、瓷砖地板和植物的精确摆放中。这些元素经过精心的平衡和充足的光线使用，创造了露台的错觉。
A bit further, the bar opens onto what used to be an open-air space. The memory of the outdoor character lives in the use of wooden furniture, the green color of the walls, the tiled floor and the accurate placement of plants. These elements, carefully balanced with a sapient use of light, create the illusion of a patio.
头顶上方，一盏悬挂在天花板上的阶梯状管状灯指示着旧楼梯的位置，而脚下，新的水磨石地板展开，通向地下室，那里曾经是旧烤箱的所在地。栏杆的灵感来自于标识的语言，融入了地下室越来越暗的颜色中，似乎把游客带进了面包店黑暗、燃烧的烤炉。
Above the head a stair-shaped tube lamp hanging from the ceiling indicates where the old staircase was located, while, under the feet, the new terrazzo floor unfolds leading the way towards the basement, where the old baking oven used to be. The railing, inspired by the language of the logo, dissolves within the darker-growing colors of the basement, seemingly taking the visitor inside the dark, flaming mouth of the bakery’s oven.
从露台延伸到厨房，气氛发生了变化：木地板的温暖软化了空间，环绕厨房的长长的休息区给人一种家的感觉，瓷砖的米色调使我们想起了面粉和用来做面包的水。曾经用作旧面包店存储空间的区域成为了装饰的灵感来源：吊在天花板上的灯影射着传统的金银秤；沿着墙壁的架子上放着看起来像是秤重的东西。厨房玻璃周围的框架类似于面包店托盘架。在看家具时，可以看到奥托语言的灵活性，这种语言被转换为餐厅的长凳，形成了半T型腿。
Continuing further from the patio, walking towards the kitchen, the atmosphere changes: the warmth of the wooden floor softens the space, the long sitting areas encircling the kitchen give a sense of home and the beige tones of the tiles remind us of the flour and water used to make the bread. The area that was once used as a storage space for the old bakery becomes the source of inspiration for the decorations: the lights hanging from the ceiling are a reminder of the traditional bullion scales; the shelves running along the wall hold what looks like scale weights; the frame around the kitchen glass resembles the bakery tray rack. When looking at the furniture it is possible to see the flexibility of Otto’s language, which is transformed to create half-T shaped legs for the benches of the restaurant.
Studio Modijefsky的新设计将这家老面包店变成汉堡外的第二个Otto汉堡，它的新设计邀请您休息一下，享受一杯美酒，或品尝美味的汉堡，周围有新鲜而温馨的氛围。Otto的风格与贯穿整个餐厅的丰富历史毫不费力地融合在一起。建筑的四个不同区域在简单的图形语言下组合在一起，这与汉堡餐厅的身份非常吻合。Studio Modijefsky的新设计将这家老面包店变成汉堡外的第二家Otto’s Burger，邀请每一个路过的人进来休息一下，品尝美味的饮料和汉堡，感受周围新颖又亲和的环境氛围。
Otto’s style effortlessly merges with the rich history of the space that flows throughout the whole restaurant. The four distinct areas of the building come together under a straightforward graphic language which fits perfectly with the identity of a burger restaurant. By turning this old bakery into the second Otto’s Burger outside of Hamburg, Studio Modijefsky’s new design invites you to take a break and enjoy a nice drink, or taste a delicious burger, surrounded by a fresh and welcoming vibe.
平面图 Plan
项目名称 / Project: Otto’s Burger
设计公司 / Company: Studio Modijefsky
设计团队 / Designer: Esther Stam, Zahra Rajaei, Moene van Werven, Sophie van Heijningen, Karen Man Lai Cheng
项目地址 / Location: Cologne, Germany
空间用途 / Program: Burger Restaurant and Bar
设计范畴 / Assignment: Interior Design and Graphic Design
完成状态 / Status: Realized September 2019
空间面积 / Size: 330m²
项目客户 / Client: Otto’s Burger
空间摄影 / Photography: Maarten Willemstein
